We make hand-made and unique elephant money boxs with the trunk up, straight out, or downwards, depending upon the weather.

Well, you have to make the decision somehow.

Imported from South China, these ceramic pieces of pottery are made from white bisque instead of clay.  Having this kind of a base to start with gives this piece an advantage when it comes to colorful and vibrant glazes.  Each one is considered high quality yet traditional.  Some of the finishes like the Copper and Bronze have great shine and sparkle.  Our Jade and Oxblood red are traditional glazes with a lovely crackle finish.  Of course we would not be stating the obvious if we didn’t point out the new tri color glazing called “Fire and Ice”.  All pots are high fired, waterproof and come with a drain hole.  The styles are classic and unique.

Decription: Ceramic jar; Ceramic reactive glaze jar with lid
Porcelain jar; Porcelain reactive glaze jar with lid
Decorative ceramic jar with lid
Bubble on the surface
For home decoration; Ceramic material
Good price, good control quality
Color should be changed as your specification
We can design as customer’s request

PACKING: 2 sets/ CTN
General packing ( inner box with 3-ply paper, master carton with 5 -ply paper, not including the styrofoam )
Safe packing ( inner & master carton with 5-ply paper, including the styrofoam, the thickness of styrofoam as per your request of drop test)
Color Box is available
PVC box is available

Ceramic Flower Pot, garden Planter, ceramic Pot
Garden Decoration
1) Artistical design
2) Vivil Color
3) Environmental
Ceramic Flower Pot, garden Planter, ceramic Pot ,Terra Cotta garden decoration
1, Material: Dolomite
2, Size & Color: optional
3, Available in various shapes and designs, Customized designs are accepted
4. Package : Standard export packing, or gift box or color box as clients’ requirement.
5. MOQ :1500pcs
6. Payment : L/C , T/T
7. Sample: We can open the new sample according to buyers’ original samples and requirement, the lead time will be 12 days.
8. Keywords: Ceramic Flower Pot, Ceramic Pot, Porcelain Flower Planter, Garden Pot, terra cotta garden decoration
Our main Products:
      Ceramic, resin, ironware and cement items
      Seasonal gifts: Christmas; Hallowmas; Easter; Valentine; Spring festival; Wind-bells
      Home and Garden Decoration
      Angel design
Ceramic Mug, Coffee cup, Sealed Jar, Tableware and Dinnerware
Religion Appliances, and so on

By the State Council Taiwan Affairs Office, China Light Industry Federation and the Fujian Provincial Government jointly organized the fourth China (Putian) Channel Craft Fair held in Putian, Fujian, Jingdezhen City, organized by 13 ceramic artists of the exhibition and the exhibition forms, participated in the Expo. Jingdezhen Ceramic exquisite art, this fair has become a major bright spot. Works in Jingdezhen City, won a total of six gold, 10 silver.

Wang Yansheng, a 72-year-old potter, makes biscuit at a workshop in Jingdezhen, east China’s Jiangxi Province, March 22, 2006. Biscuit making is the first main phase of Chinese traditional ceramic making. Jingdezhen, with a history of 1,002 years, is famous for making ceramics for emperors and royal families in ancient China.

The rim, also sometimes called the lip, is the open upper edge of the pot. Various styles of rims are possible, from the minimalist cut-like opening to elaborate compound ogee rims.

When thinking of your pots’ rims, remember to take into account the use that the pot is likely to be put to. Sharp openings are uncomfortable for drinking, and elaborate ones will make your beaker into a dribble glass. If the function is to hold flowers or some other object, think of how the rim area will help the viewer’s eye make the transition from the pot to the object it is holding.

Neck

The neck of the pot, if there is one, also needs to follow its function. Certain necks are impractical for pottery that is to be used in the kitchen, for storage, or for any purpose that requires a hand to be able to reach its bottom.

The neck should also enhance the feeling you want to impart to your audience. For example, long thin necks tend to “read” as elegant, refined, and sometimes as prissy. Shorter, stout necks often give the user the feeling of sturdiness, stability, and strength.

Shoulder

The shoulder is the area in which there is a fairly obvious and sharp delineation between the neck and the body of the pot. If included in a particular pot, it becomes a strong focal point for the form and should be treated with authority. Tentative direction changes in this area of a pot will weaken the aesthetic feel of the entire vessel.

Waist

Not all pots have waists. As you would expect, when they are present, the waist on a pot is an area in which the form is collared inward. Pottery waists may consist of a strong demarcation between the upper and lower regions, or be a gentle concave curve between the outward swelling of the upper and lower areas it joins together.

Belly

The widest outwardly or convexly swelling area of a pot, especially if it is centered in the lower half of the form, is known as its belly. The belly, waist, and shoulder of a pot, taken together, are often known as the body of the pot.

Foot

Pots may or may not have a foot. When present, the foot is an area that is distinct from the body of the pot, and which is smaller in circumference than the body. The foot raises the pot up and away from whatever surface the pot is standing upon.

Feet are generally viewed as giving a pot more elegance and “presence”; visually they make the pottery form read as lighter. Tactility they can make a pot feel more comfortable in the hand if the pot is small enough for the hand to cup around its base. An overly tall, spindly foot can make a pot look and often actually be unstable.